MASCULINITY, MALE LOVE, HOMOPHOBIA AND ANDROGYNY IN JAPAN:
A REVIEW ESSAY ON
Review of The Love of the Samurai: A Thousand Years of Japanese Homosexuality.
By Tsuneo Watanabe and Jun'ichi Iwata. Translated by D.R. Roberts.
Gay Men's Press, London, 1989.
Reviewed by Walter L. Williams in The Journal of Men's Studies 1992.
Within the last decade, scholarly study of the acceptance of
homosexual behavior and gender variance in many non-Western cultures
has advanced considerably. The most recent research has focused upon
Asia. Paul Gordon Schalow has translated Ihara Saikaku's 17th century
literary masterpiece on male-male love in Japan. Books by Serena
Nanda on India, Bret Hinsch on China, Peter Jackson on Thailand,
Stephen O. Murray on the Asian-Pacific islands, and Walter L. Williams
on Java, have all helped to fill out our knowledge of androgyny and male
homosexuality in these lands. Unfortunately, only a few essays have
focused on homosexuality among women; a major study on lesbianism in
non-Western cultures remains to be done.
This book, which attempts to cover the history of male-male love
in Japan from the 16th to the 20th centuries, has been compiled by
Tsuneo Watanabe, using earlier essays written by Jun'ichi Iwata in the
1930s, and translated into English by D.R. Roberts. Besides
sexuality, this book tells us a lot about masculinity and homophobia.
Sometimes patterns in our own society become more clear when analyzed
from the perspective of a different culture.
This book focuses on feminity among males. Watanabe offers an
interesting argument that men in modern societies have given up "the
right to be feminine." In contrast to pre-modern Japan, where males
who dressed as women in kabuki theater were honored, and where even
samurai warriors wore makeup and dressed androgynously, 20th century
Japanese men have adopted the Western view that only women are
supposed to exhibit beauty. Men are told that they should possess
what they want (ie: a beautiful woman), rather than to be beautiful
themselves. This transformation of beauty into a feminine attribute
"is in reality a limitation or reduction of the domain of masculinity
itself.... [It is] the body itself which modern civilization refuses
to allow to men... and demands of men that they be only an active,
invisible and disembodied spirit" (p. 130). Modernization has meant
that men have had to renounce androgyny. Watanabe sees an unconscious
desire of many men to break out of this increasingly restricted
masculine role, which explains the anxiety that "normal" men have
about transvestites and gays: "What they see in 'perverts' with so
much aversion is the external projection of their own self-image" (p.
128).
Watanabe concludes that homophobia arises from a detest of the
notion that a man would offer himself "as a beauty... as a passive
object of desire" (p. 131). Yet, the impact of gay liberationist
ideology and gender studies is beginning to challenge this.
By making androgyny more socially acceptable, he suggests,
transgender acceptance and gay liberation can help all men in
reconnecting with their full human potential. Just as lesbians have
greatly aided all women through their activist contributions to the
feminist movement, "male homosexuality, too, will be an essential
catalyst in the development of all men, helping in the
re-eroticization of the male body" (p. 135).
In order to help develop this re-eroticization of the male body,
Watanabe has provided an overview of the history of male homosexual
attractions in Japan. The earliest Christian missionaries in Japan
reported in horror the widespread social acceptance of male-male sex,
especially among Buddhist monks. With Buddhism not being condemnatory
toward homosexuality, and with male monks being prohibited from even
touching a female, it is not surprising that same-sex relationships
were common. Demographic factors also played a role. Unlike Europe,
whose population had been reduced by numerous plagues, witchhunts,
wars, and massacres of dissenters, and which encouraged procreation in
order to produce soldiers and settlers for its expanding colonial
empires, Japan was a non-expansionist island with limited space. As
population numbers reached an optimal point for the land available,
there was pressure to reduce population growth. Abortion,
infanticide, and non-reproductive forms of sexual expression were
demographically useful means of keeping the population stable.
In this context, a Jesuit missionary wrote about homosexuality,
"Nobody, neither man nor woman, young or old, regards this sin as
abnormal or abominable; this sin is well known among the bonzes
[Buddhist monks], and is even a widespread custom amongst them"
(p. 20). Another missionary wrote about the monks: "The abominable
vice against nature is so popular that they practice it without any
feelings of shame. They have many young boys with whom they commit
wicked deeds." (p. 20). Each monk was assigned a boy (age 10 - 17) as
his pupil, and many of these teacher-student pairs became lovers.
The Mahayana Buddhist Rishu-kyo sutra states "voluptuousness
is pure... desire is pure... physical pleasure is pure.... All
creatures are in essence pure." (p. 46). Since the body was not
despised, as in Christianity, but was seen to be sacred, the sexual
act was considered the holy union of two bodies (p. 44). Monks wrote
numerous poems of love expressed toward their student/boyfriend, and
this intimate loving relationship underlay the Buddhist system of
education.
A number of novels, from the 14th century onwards, show that
boy-love was commonly accepted in other areas of society as well. By
the 15th and 16th centuries, Japan entered a long period of civil
conflicts among samurai warriors. Each samurai took a pubescent boy
as a page and assistant, and many of these wakashu youths became the
lover of their adult samurai sponsor. Since the samurai trained his
wakashu to become a samurai (by about age 23), this homosexual
relationship also fulfilled an educative function similar to the
teacher-student Buddhist tradition.
Under the shoguns a new art form emerged which celebrated male
beauty. In 1374 an eleven year old boy dancer became the lover of the
shogun, and under the shogun's loving patronage he became a genius
playwright and founder of the No theater for the shogun's court.
Acceptance of transgenderism became popular in Japan in the 17th
century through Kabuki, another form of dance that was originally performed
by women. After 1629 Kabuki became popular when young men started performing
it while dressed as women. Many of the more feminine or androgynous male
actors took men as lovers, and started dressing in women's clothes in daily life,
not just on stage. Transvestism entered Japanese popular culture through Kabuki,
and grew to represent traditional Japanese culture in the full flower of its
civilization.
Shogun Tsunayoshi (ruled 1688-1703) was so fond of homosexuality
that he kept about 150 young male concubines in his palace. He
educated them, and some of them later became leading government
officials. As male love became more popular among the noble
classes, and spread among the merchants and commoners as well, the
authors conclude that 17th and 18th century Japan was a "Golden Age of
homosexuality" (p. 88). The book's numerous illustrations of man-boy
sexual and emotional interactions perfectly demonstrate the authors'
points. Still, for most men their sexuality was bisexual rather than
homosexual or heterosexual. As in ancient Greece, mature men were
expected eventually to take a female wife and produce offspring.
Despite this bisexual ideal, some men continued their sexual
relationships with males (not to mention monks, who never married,
and feminine cross-dressing Kabuki actors), giving evidence of a life-long
gender variance and homosexual orientation among some.
This social acceptance changed in Japan after 1868, when the
Meiji restoration government embarked upon a strict course of
Westernization. Influenced by Christian missionaries and Japanese
intellectuals who were impressed by the West, the Meiji government
began repressing Buddhism, and also passed a law against sodomy.
However, Watanabe argues that capitalism, rather than Christianity per
se, exerted the biggest influence against homosexuality. As
industrialization revolutionized Japan, and the need for more
population to provide a growing labor force, a new repression emerged
against non-reproductive forms of sexuality. Once Japan embarked on
an expansionist military policy after 1900, even more people were
needed to man the armies and navies, and to staff the large economic
and political bureaucracies necessary for administering an empire.
Every male was needed to be a man, and acceptance of feminine and
Transgendered males gradually ended.
Just as had earlier happened with expansionist industrial capitalist
governments in Europe and the United States, Japan rejected its gender
variant and sexually-diverse heritage in favor of pro-natalist and
anti-homosexual policies imported from the West. The requirements of
being a good citizen in an expansionist capitalist state meant the necessity of
producing more children to add to the growing work force.
These economic factors, plus continued Western influence, explain
Homophobia and transphobia in contemporary Japan. However, for the
pre-modern era this book demonstrates that Japan deserves to be ranked,
along with the cultures of ancient Greece and the American Indians, as one
of the world's most important examples showing how a society can incorporate
transgenderism and homosexuality into the core of its social organization. As more
research is being done, and more examples of such societies are being
uncovered, it is not transgender and homosexual inclinations that are abnormal in
human behavior, but homophobia and transphobia.
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_________________. The Spirit and the Flesh: Sexual Diversity in
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